The sneaker is a force in fashion, music and spor ts, but where did it all begin? With the rubber tree, of course, and that ’s where senior curator Elizabeth Semmelhack ventured for a new exhibit, “The Rise of Sneaker Culture,” at the Brooklyn Museum. “I wanted to go all the way back to the sap of the tree – the rubber tree – and find out how and why the sneaker even came into existence in the first place,” said Semmelhack, from Toronto’s Bata Shoe Museum, a partner for the show with the American Federation of Ar ts. The exhibit of about 150 shoes opens Friday and is ambitious in scope, spanning rubber production to Prada to the coveted kicks bearing basketball legend Michael Jordan’s name, along with his monumental endorsement deal with Nike. Semmelhack created the show after 15 years focusing on high heels, when she realized “there is no way I can ignore the sneaker because they are so important culturally.” Sneakers, after all, are one of the few things people spend days in line to acquire. They’re the subject of songs and have helped turn multimillionaire athletes into fashion designers in the chase for the next hot pair. Among those showcased in the exhibit are Adidas donated by Darryl “DMC” McDaniels, from legendary rap group Run-DMC. The group was among the first music acts to get a sneaker endorsement deal. Original Converse All-Stars from 1917, a replica of Michael Johnson’s 1996 Atlanta Olympics gold spikes and Adidas Muhammad Ali Confidence Shoes are also included.
“These are sneakers that you just cannot see,” said S emmelhack. “ They are seeing some shoes that are hidden away in the archives and in recesses of people’s offices that if it was not for the exhibition they wouldn’t have gotten a chance to see.” After Brooklyn, the historical look at sneakers will travel to the Toledo Art Museum in Toledo, Ohio, the Speed Art Museum in Louisville, Kentucky, and the High Museum of Art in Atlanta. Sneakers have “a long histor y that has both incredible continuity but also incredible shifts and have been with us for some profound cultural moments,” Semmelhack said. Foremost, she said, they were in the realm of the elite. Before the five-day work week , only the wealthy could make the time to play tennis and jog in the early 19th centur y – and they were the only ones who had a need for sneakers. Between the two world wars, governments began to democratize physical health and sneakers so that people had fit bodies to serve their countr y.
Personality and fabric
Once rubber production was simplified after World War II, “it loses status,” said Semmelhack. “ The price point becomes so low. It becomes the footwear of childhood.” I t was not until the 1970s that sneaker culture began to develop as we see it today. Nike gets in the game and creates expensive brightly colored shoes for the “Me Generation” that decides to exercise at athletic clubs. “They begin to segue back to a status symbol, as well as fashion, because these same people who are jogging begin to wear those bright-colored shoes to discos like Studio 54 and the idea of casual wear and fashion is becoming really important,” Semmelhack said. Calvan Fowler, who owns the shop Jordan Heads Brooklyn, said Spike Leedirected commercials and hip-hop music fueled the “sneakerhead” craze. “In 1984, ‘85, ‘86 it started growing exponentially and as hip-hop grew the sneakers grew as well. I t became a par t of your personality and fabric; it became a part of who you are,” Fowler said. “I t crosses different socioeconomics and racial ethnicities.”
Fowler’s store sells only Michael Jordan merchandise, including soaps, clothes and shoes. Fashion designers Ricky and Dee Jackson, brothers whose Pony shoes are part of the exhibit, said the sneaker sweepstakes of today are focused not just on the shoes of athletes but on limited-edition st yles. “Back in the day it was not as big as it was. Kids weren’t really looking for limited-edition shoes. It was just an underground thing, but now it has really become mainstream,” Dee Jackson said. Another aspect of sneaker culture Semmelhack could not ignore is crime associated with getting the latest pair. “I feel like it’s a little paternalistic to constantly warn young black men in particular to be careful of their sneakers,” she said. “The price point of sneakers is remarkably less than the price point of women’s shoes but we don’t hear these same stories about women.”
Fashion giants like Gucci and Prada entered the sneaker industr y early on but sneakers did not turn high-end until spor ts brands teamed up with designers like Jeremy Scott and Yohji Yamamoto, and companies like Jimmy Choo and Louis Vuitton saw the value in the billion-plus business. “Men are willing to wear pattern and color in their footwear in ways that they are not willing to wear in aspects of their dress and so for fashion designers, sneakers are the perfect canvas for playing with,” Semmelhack said. Added Dee Jackson: “Shoes really stick out and it gives people an ego.”— AP