The women of Maha Al-Asaker

Self Portrait of the Artist Photographer Maha Al- Asaker in her bedroom

When you peek into the closet of a young woman, mostly you’d find posters, mementos and pictures of besties. It’s a life stage that ends with maturity. But Kuwaiti artist and photographer Maha Al-Asaker was an exception. She would stick a list of goals with estimated dates for accomplishing them. She knew just what she wanted, planned constantly to discover the limits of her capabilities and ended up working in New York.

The photographer’s journey of self-discovery and understanding is heartily reflected in her art. Lately, Maha checked off one of her goals – an art documentary project about Kuwaiti women in their bedrooms.

Maha suffered from the difficulty of letting go the memory of her father’s tragic death in 2006 in a car accident. She struggled to find a way to express her feelings of grief, until one of her friends suggested her to carry a camera and take pictures. “I didn’t have a professional camera then. But I felt that pictures can tell something about me…express what’s within me. I didn’t want others to tell me who I was – I chose to rely on myself in solving my problems,”Maha told Kuwait Times.

Good photographers are not those who sell the most, but those who get appreciated by the public for what they like to do and not what they are asked to execute. When photographers rise to this level of professionalism to determine their path, they become artists. Maha’s work is controversial, and sometimes bold. She defies the Kuwaiti social template in order to present her ideas. Her work needed plenty of creative thinking space away from limitations, so she headed to New York.

“Leave your artistic ego in Kuwait before going to NY if you’re planning to live in that location. You must start from scratch – the competition is intense and the criteria they’re looking for are high,”Maha said. “For instance, if you desire to work as a fashion photographer, you must first work as an assistant to one. You also need to build many relations inside and outside your domain of work, because no matter how good your CV is, it’s not going to guarantee a job!” she added.

Although she’s financially independent, she wouldn’t resign from her job in Kuwait to chase her dreams without parental consent. “I belong to the Al-Asaker family, and they are a conservative folk. However, my family respects my personal decisions. I’m blessed with a great mother who gave me wings to fly even though she would worry about me and miss me. I try to calmly resist the emotional blackmail emanating from their hearts to return home. I have to first make sure that my decision of coming back is mindful,” Maha explained.

It’s been a year since she began the implementation of her photographic art project “Women of Kuwait”, which was recently published in Vogue Arabia. She was able to obtain the trust and approval of a few Kuwaiti women to model in front of her Hasselblad camera in their bedrooms. “Natural ambient light has been an indispensable pillar in this project. It’s crucial for any vintage camera.

Notwithstanding, the most difficult challenge for me – after getting those Kuwaiti women to agree – was to portray them in a non-abrasive manner. House sanctity is highly exalted in Kuwait. Neither strangers nor relatives are welcome to enter the most intimate and private room of the house, despite the friendliness and generosity at the doorway,” Maha told Kuwait Times.

“For this reason, this ongoing project aims to embrace the differences in the lives of women of Kuwait and weaken the social barrier between us and other women of the world. On a personal level, every time I photograph one of them and listen to her story, I invisibly continue my quest in the hunt for self-discovery secrets, wondering who I am and what I would’ve become if I was born somewhere else,” she said.

Maha is planning to visit Kuwait this year to work on her project. Asked whether she desires to live in America for good, she replied: I don’t know yet. I’m receptive to all possibilities. Either staying in NY or coming back for good should add to my photographic career, and not bring me back just for the sake of being back”.

One wonders what goal on her list she’s going to check off next!

By Athoob Al-Shuaibi

List of Exhibitions:
May 16-19, 2016: Abolish 153 art exhibition at FA Gallery, Kuwait.
April 28-May 10, 2016: Abolish 153 art exhibition at JAMM Art, Dubai.
Sept 10-20, 2015: ICP Alumni Group Exhibition at PhotoVille, Brooklyn.
June 26-July 3,2015: “Les Lieux: at SoAm Studio, NYC.
March 5-8,2015: “Art on Paper” with JHB Gallery, NYC.
December 2-7,2014: “Miami Project” with JHB Gallery.
October 30,2014: “ArtWalk Auction – The 20th anniversary” with JHB Gallery, Manhattan, NYC.
July 10-13,2014: “Art Market – Hampton” with JHB Gallery.
June 20-August 21, 2014: “Elective Affinities” @ Rita K Hillman Education Gallery (International Center ofPhotography).

List of Publications:
* F Stop Magazine group exhibition – issue 77 “Family” – June 2016.
* ArtSlantinterview – April 2016.
* Tribe Photo Magazine, issue 2 – April 2016.
* Art Reveal Magazine, issue 14 – March 2016.
* “#Photography Magazine”, issue 15 – December 2015.
* FEM Magazine – December 2015.
* F Stop Magazine group exhibition – issue 74 “Telling a story” – December 2015.
* Photo Art Mag – November 2015.
* CUSPHOTO – November 2015.
* Contributor magazine – November 2015.
* F Stop Magazine group exhibition – issue 73 “Where I live” – October 2015.
* Musee Magazine issue#12 Controversial – July 2015.
* Musee Magazine issue #11 Vanity – April 2015.
* SHIFT Vol. 9, International Center of Photography – July 2014.
* SELECT, the photography issue – 2013.

 

 


This article was published on 02/03/2017